十号星球
>>> planet 10

艺术家郭洛用不同的视角看待宇宙和自然:用肉眼体验外在世界,对世间存在物的平常感知;以及用心灵之眼体验内在世界,对内在记忆图像的神秘感知。

以郭洛的艺术作品为基础,壹和万象对此进行了二次构想:多个宇宙的碰撞,景观,地形,山脉,高原,峡谷和河谷。

在艺术家的视角和建筑师的数字设计工具的辅助下,建筑师与艺术家合作创造出“雕塑/模型”。创作过程中探索郭洛艺术中存在的各种几何形态,正是由艺术家通过身体所呈现的自然的形态和图案。

卡尔维诺在《看不见的城市》中描述了存在于想象中的梦幻城市。他们以类似的方式试图创造一个虚构的“十号星球”,这是一个未来的,但物理上不存在的地方。“雕塑/模型”同时作为一次探索,通过数字和3D打印技术将绘画中描绘的二维世界转换为三维实体。

Le Guo sees the universe and nature with different eyes: physical eyes seeing sensible world to produce atomistic perception, and mind eyes seeing memory and inner world to produce holistic perception.

Atelier one and many takes Le Guo’s art as a substrate for re-imagination. He sees collision of multiple universes, planet of alien landscape and terrain, mountains, plateaus, canyons, and river valleys.

In Invisible Cities, Italo Calvino described dreamlike cities that can only exist in imagination. In similar manner, Kuo attempted to create a fictional Planet 10 as site for a futuristic and physical impossible project.

With the help of artist eyes and architect parametric design tools, he produced sculptural models that explore the diverse geometry that exists in Le Guo's art, which is created by artist's body reflecting form and pattern in nature.

This sculpture model also serves as exploration to converted two-dimensional world depicted in painting into three-dimensional version with digital and 3D printing technology.